
Peter Dallow is an interdisciplinary scholar who teaches and supervises research degrees across a number of areas in the School of Communication Arts at the University of Western Sydney, Australia. He has a background in film and television production and in visual arts. Peter researches across a number of media and art forms.
Media Studies, New Media, Visual Studies, Media Literacy, Knowledge Systems, Writing, Narrative theory, Creative Arts Practice, Practice-based Research, Design Research
He has been a member of an Australian Research Council funded project working on the Strehlow 'Journey to Horseshoe Bend' online media project, and the UNESCO funded international DiverCities intercultural dialogue online media project.
These publications in highly prestigious international book anthologies dealing with visual and media literacy, new media, and contemporary arts practice—
• Dallow, Peter 2008 ‘The Visual Complex: Mapping Some Interdisciplinary Dimensions Of Visual Literacy’, Chapter 5 in Elkins, James (Ed.) 2008 Visual Literacy. New York and London: Routledge. 91-103.
This publication includes prominent authors such as Barbara Stafford, Jonathan Crary, W.J.T. Mitchell and James Elkins, amongst others.
• Dallow, Peter 2006 ‘The Virtually New: Art, Form And Consciousness’, Chapter 5 in McLeod, Katy & Lin Holdridge (Eds.) 2006 Thinking Through Art: Reflections on Art as Research. London/New York: Routledge. 73-86. [Routledge Innovations in Art and Design Series]
• Dallow, Peter 2005 ‘Outside The ‘True’: Research And Complexity In Contemporary Arts’, Chapter 11 in Miles, Malcolm (Ed.) 2005 New Practices — New Pedagogies: A Reader. London/New York: Routledge. 133-142. [Routledge Innovations in Art and Design Series]
• Dallow, Peter 2001 ‘The Space Of Information: Digital Media As Simulation Of The Analogical Mind’, Chapter 3 in Munt, Sally R. (Ed.) 2001 Technospaces: Inside The New Media. London and New York: Continuum. 57-70.
• Dallow, Peter 'Journey of a Book: The new media reconstruction of a novelistic memoir', The International Journal of the Book, Vol. 6 (in press) 2009.
• Dallow, Peter 2009 'Future Sense: Screen Metaphors in the Digital Age' in new online Cinema journal Movement: A Media Studies Journal, issue 1.1: the futures of cinema, 2009.
• Dallow, Peter 2007 ‘Mediatizing the Web: The New Modular Extensible Media’, Journal of Media Practice, Volume 8 Issue 2, 341-358.
• Dallow, Peter 2003 ‘Representing Creativeness: Practice-Based Approaches To Research In The Creative Arts’, Art, Design And Communication In Higher Education. Vol.2 Issue 1 & 2, October 2003. 49-66. ISSN 1474-273X. ADCHE is the journal of the UK national Subject Centre for Art, Design and Media.
• Dallow, Peter 2003 ‘Outside “The True”: Research And Complexity In Arts Research And Practice’, European Journal Of Arts Education, Vol. 5, 2003.
• Dallow, Peter 1998 ‘Media Arts, Research And The University.’ Practice: A Journal Of Visual, Performing & Media Arts, Issue Number Three, Autumn/Winter 1998. pp. 36-45.
• ‘Journey of a Book: The new media reconstruction of a novelistic memoir’, presented at the 6th International Conference of the Book, Washington DC, October 2008;
• ‘New Screen Channels: From user generated online content to user generated distribution’, at the Screenscapes — Past Present Future Conference, Sydney, December 2007;
• ‘Extensible Media: The Newer Media and Public Access to the Mediascape’, in the New Technologies / Media Convergence Stream of OURMedia 6th International Conference, Sydney, April 2007;
• A version of ‘The Visual Complex: Mapping Some Interdsciplinary Dimensions Of Visual Literacy’ paper was presented at the International Conference on Visual Literacy, Cork, Ireland, April 2005;
• ‘Visual Rhetoric And Humanist Photography: Reality, Visuality And Culture’, was presented at the International Language Communication Culture Conference, Beja Portugal, Nov. 2004;
• ‘Rhetorical Method And Metaphor In New Media’ was presented in the Rhetoric of New Media panel at the Central New York Conference on Language and Literature, Cortland, USA, Oct. 2004;
• ‘Visualities, Images And Technologies Of Representation’ was a paper presented at Culture Incorporated: Bodies, Technologies, Habitats. Cultural Studies Association of Australasia Conference, Christchurch, New Zealand Dec. 2003;
• ‘Outside “The True”: Research And Complexity In Arts Research And Practice’ was presented at “Comhar”, European League Of Institutes Of Arts 7th Annual Conference, Dublin, October 2002;
• ‘Stories,' “True Stories.”
© University of Western Sydney 2012
Locked Bag 1797
Penrith NSW 2751
Tel: +61 2 9852 5222
ABN 53 014 069 881
CRICOS Provider No: 00917k