Doctor Chris Conti

Doctor Chris Conti

TEACHING FOCUSED ACADEMIC (ASSOCIATE LECTURER),
Design (SoHCA)

Personal

UWS Organisational Unit (School / Division)

  • Design (SoHCA)

Professional Memberships

  • Honorary Associate, Department of English, University of Sydney (2011-02-11 - 2014-03-01)

Contact

Email:N/A
Extension:2405
Mobile:0418208126
Location:C.G.09
Penrith (Kingswood)
Website:

Teaching

Previous Teaching Areas

  • 100849 Australian Textual Studies, 2012
  • 100862 English, Text & Writing, 2011
  • 100862 English, Text & Writing, 2012

Publications

Chapters in Books

  • Conti, C. (2012), 'The primacy of the object: Adorno versus Cultural Studies', Literature and the Political World, Cambridge Scholars Press .
  • Conti, C. (2012), 'The Laughter of Voss: Romantic irony in Voss', Patrick White: Modernist Impact, Critical Futures, .
  • Conti, C. (2012), 'American History as a History of Self-Making: John Barth's Sot-Weed Factor', Remaking Literary History, Cambridge Scholars Press 1443814245.
  • Conti, C. (2012), 'The primacy of the object : Adorno versus cultural studies', Literature and Politics: Pushing the World in Certain Directions, Cambridge Scholars 9781443835749.
  • Conti, C. (2010), 'American History as a History of Self-Making: John Barth's Sot-Weed Factor', Remaking Literary History, Cambridge Scholars Press 1443814245.
  • Conti, C. (2009), 'Sensation at odds with itself: Adorno on aesthetic negativity', Literature and Sensation, Cambridge Scholars Press 144380116X.
  • Conti, C. (2009), 'Sensation at odds with itself: Adorno on Aesthetic Negativity', Literature and Sensation, Cambridge Scholars Press 144380116.
  • Conti, C. (2004), 'Critique and Form: Adorno on Godot and Endgame', Samuel Beckett Today / Aujourd'hui, Rodopi 9042019727.

Journal Articles

  • Conti, C. (2012), 'The Aesthetic Alibi in The End of the Road', MFS: Modern Fiction Studies, 33.
  • Conti, C. (2012), 'The aesthetic alibi in The End of the Road', Modern Fiction Studies, 33.
  • Conti, C. (2011), 'Nihilism Transformed Narratively: the Agency of Art in The Sot-Weed Factor', Papers on Language and Literature, 21.
  • Conti, C. (2010), 'Gruelling', Island Magazine, 2.
  • Conti, C. (2005), 'Irony, Cynicism and Satire in The Floating Opera', Arizona Quarterly, 34.
  • Conti, C. (2004), 'The Confessions of Todd Andrews: Double-Directed Discourse in The Floating Opera', Studies in the Novel, 19.
  • Conti, C. (2001), 'Aesthetic Self-Regard and Artful Self-Delusions: Some Political Implications of John Barth's Aesthetics', Literature and Aesthetics, 22.

Other Publications

  • 2012, 'Proofs', Published Work
  • 2009, 'Southerly', Published Work
  • 2010, ''Miserably.' The Driftwood Review 8', Published Work
  • 2010, ''The Novel Inside.' Flash: The International Short-Short Story Magazine', Published Work
  • 2010, ''Uxorious.' Flash: The International Short-Short Story Magazine', Published Work
  • 2009, ''The Impostor Theory of Art.' Etchings', Published Work

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