Doctor Sally Macarthur

Doctor Sally Macarthur

DAP - BACHELOR MUSIC,
Music (SoHCA)

SENIOR LECTURER,
Music (SoHCA)

Personal

Qualifications

  • PhD University of Sydney
  • BMus University of Adelaide
  • DipMusEd NSW Conservatorium of Music

UWS Organisational Unit (School / Division)

  • Music (SoHCA)
  • Music (SoHCA)

Contact

Email:S.Macarthur@uws.edu.au
Extension:2495
Mobile:
Location:O.G.04
Penrith (Kingswood)
Website:

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Biography

Sally Macarthur is a senior lecturer in music at the University of Western Sydney. She has researched and written on topics to do with ?new? classical music, women?s music and music in spiritual and cross-cultural contexts. Her recent articles appear in Radical Musicology (2008), Australian Feminist Studies (in press, 2009) and Cultural Studies Review (in press, 2009). Her books include Feminist Aesthetics in Music (Greenwood Press, 2002), a co-edited volume, Intercultural Music: Creation and Interpretation (Australian Music Centre, 2006) and with Cate Poynton, Musics and Feminisms (Australian Music Centre, 1999). Macarthur is currently writing a single-authored monograph entitled Composing and Decomposing Women in Music which offers a feminist-Deleuzian critique of the practices of ?new? (classical) music. It argues for a new theoretical approach that seeks to de-emphasise the individual ego at the heart of musical creation. Macarthur was recognised by the Centre for the Study of Higher Education, Griffith Institute for Higher Education and Queensland University of Technology in 2007 for fostering an interest in research among her undergraduate students. In 2008, she was highly commended as a member of the Music Research Supervisor?s Group for Excellence in Postgraduate Research Training and Supervision in the Vice-Chancellor?s Awards.

This information has been contributed by Doctor Macarthur.

Publications

Books

  • Macarthur, S. (2010), 'Towards a Twenty-First-Century Feminist Politics of Music', : Ashgate 9781409409823.
  • Macarthur, S. (2002), 'Feminist Aesthetics in Music', : Greenwood Press 0313313202.

Chapters in Books

  • Macarthur, S. (2013), 'Difference, becoming and event in women's music : Anne Boyd's Ganba', Autorschaft, Genie, Geschlecht : Musikalische Schaffensprozesse von der Fru?hen Neuzeit bis zur Gegenwart , Ko?ln Bo?hlau Verlag 9783412209025.
  • Macarthur, S. (2007), 'Women, Spirituality, Landscape: The Music of Anne Boyd, Sarah Hopkins and Moya Henderson', The Soundscapes of Australia: Music, Place and Spirituality, Ashgate 97800754640721.
  • Macarthur, S. (2006), 'The Cultural Work of the Musical Work: Light Sorrow (1985), Black Sun (1989)', Intercultural Music: Creation and Interpretation, Australian Music Centre 9780909168605.
  • Morelos, R., Macarthur, S., Macarthur, S., Crossman, B., Morelos, R. and Crossman, B. (2006), 'Introduction', Intercultural Music: Creation and Interpretation, Australian Music Centre 9780909168605.
  • Morelos, R., Macarthur, S., Macarthur, S., Crossman, B., Morelos, R. and Crossman, B. (2006), 'Introduction', Intercultural Music: Creation and Interpretation, Australian Music Centre 9780909168605.

Journal Articles

  • Macarthur, S. (2012), 'The power of the virtual in music scholarship : composing a women's musical future as a 'becoming-other-than-itself'', Journal of Music Research Online, .
  • Macarthur, S. (2012), 'The power of the virtual in music scholarship : composing a women's musical future as a 'becoming-other-than-itself'', Journal of Music Research Online, .
  • Macarthur, S. (2012), 'Music and violence', Musicology Australia, 10.
  • Macarthur, S. (2011), 'Composing the 'Woman' Composer', Musicology Australia, 10.
  • Macarthur, S. (2010), 'Chaos, Territory, Music Research', Musicology Australia, 10.
  • Macarthur, S. (2010), 'Women, New Music and the Composition of Becomings', Cultural Studies Review, 23.
  • Macarthur, S. (2009), 'Post/Modernizing Australian Music'', Musicology Australia, 12.
  • Macarthur, S. (2009), 'A Thousand Dissonances: Music Research and the Nomadic Female Composer', Australian Feminist Studies, 17.
  • Macarthur, S. (2008), 'A Becoming-Infinite-Cycle in Anne Boyd's Music: A Feminist-Deleuzian Exploration', Radical Musicology, .
  • Macarthur, S. (2007), 'A Musical Woman in a Man's World: Rebecca Clarke', Musicology Australia, 6.
  • Macarthur, S. (2006), 'The Beautiful, the Disgusting, and the Sublime: An Essay Review of Gender and Aesthetics: An Introduction', Action, Criticism & Theory for Music Education, 11.
  • Macarthur, S. (2006), 'Raising the Platform for Women', Music Forum, 4.

Conference Papers

  • Macarthur, S. (2007), 'Gender and the Tertiary music curriculum in Australia', Nactmus Conference, Queensland Conservatorium Griffith University.
  • Macarthur, S. and Schaffler, R. (2004), 'Visions of a New Spirituality in Australia: The Music of Anne Boyd', Loose Canons, Australian National University, Canberra.
  • Macarthur, S. (2002), 'Lesbian Politics and the Sydney Gay and Lesbian Choir', 8th IASPM Australia - New Zealand Conference, UTS, Sydney.

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