Mr Ian Stevenson
ACADEMIC COURSE ADVISOR (Bachelor of Music),
Music (SoHCA)
LECTURER,
Music (SoHCA)
Personal
Qualifications
- MSc City University of London
- BA The Open University
UWS Organisational Unit (School / Division)
- Music (SoHCA)
- Music (SoHCA)
Professional Memberships
- Australasian Computer Music Association (2001-01-01)
Contact
| Email: | I.Stevenson@uws.edu.au |
|---|---|
| Extension: | 2497 |
| Mobile: | |
| Location: | O.G.05 Penrith (Kingswood) |
| Website: |
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Biography
Music Course Advisor
Lecturer in Sound Technologies
Documentation Manager, Fairlight ESP, Sydney
Sound Engineer, Autograph Sound Recording, London
Technical Director, Theatre Sound Australia
This information has been contributed by Mr Stevenson.
Teaching
Current Teaching Areas
- 101526 Introduction to Sound Technologies
- 101527 Introduction to the Sound Studio
- 101532 Music in Theory and Practice
- 101536 Sound Composition for Screen Media
- 101537 Sound Technologies and Machine Musicianship
- 101538 Sound Synthesis and the Sound Environment
Previous Teaching Areas
- 101175 Postproduction Sound, 2012
Publications
Conference Papers
- Blom, D., Stevenson, I. and Encarnacao, J. (2012), 'The assessment rubric as institutional culture : evaluating creative music processes and outcomes at undergraduate level', ISME Commission for the Education of the Professional Musician. International Seminar, Athens, Greece.
- Paine, G., Stevenson, I. and Pearce, A. (2007), 'The Thummer Mapping Project (ThuMP)', International Conference on New interfaces for Musical Expression, New York, New York.
- Stevenson, I. (2005), 'Design Issues for New Performance Systems', Australasian Computer Music Conference, Brisbane.
- Paine, G. and Stevenson, I. (2005), 'The Thummer Mapping Project (ThuMP)', ACMC05 - Generate and Test, QUT Brisbane.
- Hewitt, D. and Stevenson, I. (2003), 'E-mic: Extended mic-stand interface Controller', NIME-03 New Interfaces for Musical Expression, McGill University - montreal, QC, Canada.
Exhibitions
- 2012, 'Visionarium'
- 2012, 'Visionarium'
- 2011, 'Sharawadji'
Other Publications
- 2008, 'Music CD - Music of the Spirit', Recorded Work
- 2009, 'Creative Explosion', Recorded Work
- 2009, 'Ghost Quarters', Recorded Work
- 2009, 'Tristan Exploded', Recorded Work
- 2011, 'Childhood in Music', Recorded Work
- 2011, 'Clare Maclean: Osanna TP218', Recorded Work
Research
Research areas: sound theory, electronic music and sound installation, sound recording, music education.
This information has been contributed by Mr Stevenson.
Previous Projects
| Title: | The Thummer Mapping Project (ThuMP) modeling playability in a novel new electronic instrument |
|---|---|
| Years: | 2005-05-31 - 2007-01-12 |
| ID: | P0014604 |
| UWS Researchers: | Garth Paine and Ian Stevenson |
| Funding: |
|
| Title: | Virtual and Interactive Performance Research Environment (VIPRE) |
| Years: | 2005-10-05 - 2008-05-31 |
| ID: | P0014812 |
| UWS Researchers: | Garth Paine, Ian Stevenson, Glen Mcgillivray, Ronaldo Morelos and Sarah Waterson |
| Funding: |
|
Supervision
Mr Stevenson is available to co-supervise doctoral projects
Current Supervision
| Title: | The Transcendent Experience in Experimental Popular Music Performance |
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| Field of Research: | MUSIC |
| Title: | Beyond Structural Modes of Listening: Electro-Acoustic Music |
| Field of Research: | |
| Title: | Designing a Conceptual Approach for Interactive Drumkit Performance |
| Field of Research: | |
| Title: | A Cross-Cultural and Multimedia Fractured Macedonian-Australian Compositional Voice |
| Field of Research: | |
| Title: | Personal Contemporary Fadista Voiceprint: The Acoustic and Electroacoustic Sonic Atomisation of the Portuguese Language Towards a Contemporary Australian-Portuguese Identity |
| Field of Research: | |
| Title: | Embodied Together Alone: Mind-Body Dualism as Conduit to Extending Instrumental Space and Sensory Technology Related to the Human Body |
| Field of Research: |
Previous Supervision
| Title: | Interactive Electroacoustics |
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| Field of Research: | MUSIC |
| Thesis: | Interactive Electroacoustics |
| Title: | An Exploration of the Uncanny in Autonomous Artworks |
| Field of Research: | CREATIVE ARTS |
| Thesis: | An Exploration of the Uncanny in Autonomous Artworks |
| Title: | Breath through Water: Personal Cross-Cultural and Collaborative Processes Flowing Towards Dao in Composition |
| Field of Research: | CREATIVE ARTS |
| Thesis: | Breath through Water: Personal Cross-Cultural and Collaborative Processes Flowing Towards Dao in Composition |
Media
| Title: | Sharawadji - Sound Installation |
|---|---|
| Description: | Sharawadji was installed at First Draft Gallery in Sydney. It was the result of a research project which considered how conceptualising the ontology of sound might influence sound design. |
| Title: | Ghost Quarters - De Quincey Co |
| Description: | Welcome to The Faculty of Dreaming where the brain is haunted ghosts write secret inscriptions on the mind language runs riot thought spreads into wide open spaces and the houseless vagrant walks all night. Someone is out there with murderous intent, but the horrors are all inside. From the writings of the great poet and essayist Thomas De Quincey (1785-1859), GHOST QUARTERS unleashes visions that show us the world as a larger reality, a place of vastness and uncertainty, filled with the changing weathers of the psyche. |
