Mr Ian Stevenson
ACADEMIC COURSE ADVISOR (Bachelor of Music),
Music (SoHCA)
LECTURER,
Music (SoHCA)
Personal
Qualifications
- MSc City University of London
- BA The Open University
UWS Organisational Unit (School / Division)
- Music (SoHCA)
- Music (SoHCA)
Contact
| Email: | I.Stevenson@uws.edu.au |
|---|---|
| Extension: | 2497 |
| Mobile: | |
| Location: | O.G.05 Penrith (Kingswood) |
| Website: |
Biography
Music Course Adviser
Lecturer in Sound Technologies
Documentation Manager, Fairlight ESP, Sydney
Sound Engineer, Autograph Sound Recording, London
Technical Director, Theatre Sound Australia
MSc Music Information Technology (City, London)
BA (Hons) (Open UK)
This information has been contributed by Mr Stevenson.
Publications
Conference Papers
- Blom, D., Stevenson, I. and Encarnacao, J. (2012), 'The assessment rubric as institutional culture : evaluating creative music processes and outcomes at undergraduate level', ISME Commission for the Education of the Professional Musician. International Seminar, Athens, Greece.
- Paine, G., Stevenson, I. and Pearce, A. (2007), 'The Thummer Mapping Project (ThuMP)', International Conference on New interfaces for Musical Expression, New York, New York.
- Stevenson, I. (2005), 'Design Issues for New Performance Systems', Australasian Computer Music Conference, Brisbane.
- Paine, G. and Stevenson, I. (2005), 'The Thummer Mapping Project (ThuMP)', ACMC05 - Generate and Test, QUT Brisbane.
- Hewitt, D. and Stevenson, I. (2003), 'E-mic: Extended mic-stand interface Controller', NIME-03 New Interfaces for Musical Expression, McGill University - montreal, QC, Canada.
Exhibitions
- 2012, 'Visionarium'
- 2011, 'Sharawadji'
Other Publications
- 2008, 'Music CD - Music of the Spirit', Recorded Work
- 2009, 'Creative Explosion', Recorded Work
- 2009, 'Ghost Quarters', Recorded Work
- 2009, 'Tristan Exploded', Recorded Work
- 2011, 'Childhood in Music', Recorded Work
- 2011, 'Clare Maclean: Osanna TP218', Recorded Work
Research
Previous Projects
| Title: | The Thummer Mapping Project (ThuMP) modeling playability in a novel new electronic instrument |
|---|---|
| Years: | 2005-05-31 - 2007-01-12 |
| ID: | P0014604 |
| UWS Researchers: | Garth Paine and Ian Stevenson |
| Funding: |
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| Title: | Virtual and Interactive Performance Research Environment (VIPRE) |
| Years: | 2005-10-05 - 2008-05-31 |
| ID: | P0014812 |
| UWS Researchers: | Garth Paine, Ian Stevenson, Glen Mcgillivray, Ronaldo Morelos and Sarah Waterson |
| Funding: |
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Supervision
Mr Stevenson is available to co-supervise doctoral projects
Current Supervision
| Title: | The Transcendent Experience in Experimental Popular Music Performance |
|---|---|
| Field of Research: | MUSIC |
| Title: | Beyond Structural Modes of Listening: Electro-Acoustic Music |
| Field of Research: | |
| Title: | Designing a Conceptual Approach for Interactive Drumkit Performance |
| Field of Research: | |
| Title: | A Cross-Cultural and Multimedia Fractured Macedonian-Australian Compositional Voice |
| Field of Research: | |
| Title: | Breath through Water: Personal Cross-Cultural and Collaborative Processes Flowing Towards Dao in Composition |
| Field of Research: | CREATIVE ARTS |
| Title: | Embodied Together Alone: Mind-Body Dualism as Conduit to Extending Instrumental Space and Sensory Technology Related to the Human Body |
| Field of Research: |
Previous Supervision
| Title: | Interactive Electroacoustics |
|---|---|
| Field of Research: | MUSIC |
| Thesis: | Interactive Electroacoustics |
| Title: | An Exploration of the Uncanny in Autonomous Artworks |
| Field of Research: | CREATIVE ARTS |
| Thesis: | An Exploration of the Uncanny in Autonomous Artworks |
