Ms Kate Richards
Senior Lecturer,
Communication, Creative Industries & Screen Media
Biography
Qualifications
- MFA University of New South Wales
Professional Memberships
- MARC Research Institute (2018 - 2022)
- Digital Humanities Research Group (2014)
Organisational Unit (School / Division)
- Communication, Creative Industries & Screen Media
Contact
Email: | Kate.Richards@westernsydney.edu.au |
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Phone: | ---- |
Mobile: | 0409220157 |
Location: | ED.G.82 Parramatta |
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Teaching
Previous Teaching Areas
- COMM3011 Creative TEAMS 1, 2022
Publications
Chapters in Books
- Thomas, A., Ely-Harper, K. and Richards, K. (2014), 'Virtual Macbeth : using virtual worlds to explore literary texts ', English Teaching and New Literacies Pedagogy: Interpreting and Authoring Digital Multimedia Narratives, Peter Lang 9781433119071.
- Richards, K. (2013), 'Unhomely', Reverse Projections, Broken Dimanche Press 9783943196214.
Journal Articles
- Bones, H., Ford, S., Hendery, R., Richards, K. and Swist, T. (2021), 'In the frame : the language of AI', Philosophy & Technology, vol 34, no Suppl. 1 , pp 23 - 44.
- Tran, E., Nguyen, Q., Richards, K., Leahy, A. and Simoff, S. (2014), 'GravityBubbleVis : an immersive and interactive visualization for live Internet activities', Australian Journal of Intelligent Information Processing Systems, vol 13, no 4 .
Conference Papers
- Richards, K. (2013), 'Unhomely', International Symposium of Electronic Art, Sydney, N.S.W..
- Richards, K. and Waterson, S. (2009), 'eye>hand>body> Data Visualisation and the Body in New Media Works', ISEA2009: The 15th International Symposium on Electronic Arts, Belfast, Ireland.
Exhibitions
- 2021, 'Enquiring Minds: Exploration and Discovery in Colonial New South Wales'
- 2015, 'A Drone Opera'
- 2014, 'Underworld'
- 2013, 'Unhomely - a multi channel video installation'
- 2010, 'Bump Projects: Bloodbath'
- 2009, 'Wayfarer v2 - Urban Agents'
- 2008, ''Foul Whisperings, Strang Matters - a virtual Macbeth' Second Life 2008'
- 2007, '"Bystander' Multi channel interactive installation'
- 2007, ''The Uncertainty Principle' photographic exhibition'
- 2007, ''Beautiful Minds: the centennial exhibition of the Nobel prizes''
- 2006, 'd/Art/06 Screen'
- 2006, 'SYNCITY Remixing three generations of sample culture'
- 2005, ''Crying Man 4''
- 2005, 'sub_scapePROOF - group exhibition'
- 2004, 'Sub_scapeBALTIC - group exhibitions'
- 2003, 'Life after Wartime Live'
Other Publications
- 2016, 'Reverie', Recorded Work
- 2011, 'Ama and Chan', Recorded Work
- 2011, 'Spirit Patrol', Recorded Work
- 2010, 'Travels in Beautiful Desolation', Recorded Work
- 2009, 'Augment_me', Recorded Work
- 2007, ''Wayfarer' - a live event space', Recorded Work
- 2006, 'subscapePROOF machinima', Recorded Work
Research: Contemporary theories of affect and affordance to account for the fundamantal processes of audience experiences in media environments. User-centred and experience design in relation to media environments, products and campaigns.
ARC Project "Seeing Yourself In Digital Cultural Heritage" 2020 - 2023 with Rachel Hendery, Jenna Condi, Noel Burgess and Jonathan Allen.
Creative Industries - methods in production and theory; current trends in creative industries including augmented media, locative media; database imaginaries.
Practice: I have a strong, proven areas of practice in Communication Arts and Media. I am an experienced multi-media producer who has worked with a variety of cultural sector and private sector clients, devising, developing and producing large and boutique scale projects, most latterly as lead producer on the development phase of the refurbishment of the First World War Galleries for the Australian War Memorial, 2014. In my producing capacity I also advise and consult with creatives on audience experiences in media arts ennvironments, most specifically working with theatre and dance directors as a new media dramaturge. In this capacity I have worked with Stalker Theatre Company (2013), Urban Theatre Projects (2011) and the School of Arts and Media, UNSW ARC research project 'New Media Dramaturgies' as a workshop leader in 2014. I am also an established media artist, working across interactive and immersive installation, software development, intergrated performance/media and locative media.
See http://katerichards.net for more on this aspect of my research, which helps me keep at the cutting edge of communication media practice and research.
Recent Publications, Exhibitions and Conference Presentations
Richards, K.E.
Richards, K.E. (2014) grove [installation 10m x 10m comprising computer programmed lights, crumbed rubber, rock salt]. Io Myers Theatre, UNSW. Sept-Oct 2014. https://sam.arts.unsw.edu.au/events/grove/
Richards, K. E. (2014). Underworld [kaleidoscope video, wooden box, metal objects]. Contempo, Art Gallery of NSW. Retrieved from http://www.artgallery.nsw.gov.au/calendar/electroscape/
Richards, K. E. (2014). Presentation: Land fall - 4 things media artists should know when creating immersive, experiental environments for mobile audiences. In European Media Art Network. The Cube, Brisbane. http://www.thecube.qut.edu.au/events/event/xcommunicate-emare-symposium-1-march-2014
Richards, K.E. (2014). Presentation: Light, Affect and Immersion: Some thoughts on audience outcomes when working with Light. In Melbourne Art Fair, Melbourne. August 2014.
Thomas, A., Ely-Harper, K. & Richards, K. (2014). Virtual Macbeth: Using Virtual Worlds to Explore Literary Texts. In: L. Unsworth & A. Thomas [Eds.] English Teaching and New Literacies Pedagogy: Interpreting and authoring digital multimedia in the classroom. New York: Peter Lang
This information has been contributed by Ms Richards.
Current Projects
Title: | Seeing yourself in Australian cultural heritage |
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Funder: |
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Western Researchers: | Rachel Hendery, Jenna Condie, Kate Richards, Jonathon Allen and Noel Burgess |
Years: | 2021-01-01 - 2024-12-31 |
ID: | P00026572 |
Previous Projects
Title: | Sydney Harbour Foreshore Authority - The Virtual Rocks pilot |
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Funder: |
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Western Researchers: | Kate Richards |
Years: | 2016-05-23 - 2016-08-01 |
ID: | P00024256 |
Title: | Digital Engagement Strategy-WA Womens Hall of Fame |
Funder: |
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Western Researchers: | Kate Richards |
Years: | 2016-06-20 - 2016-07-29 |
ID: | P00024377 |
Title: | Co-designing digitally enhanced cultural heritage experiences, audience and student engagement |
Funder: |
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Western Researchers: | Kylie Budge, Kate Richards, Rachel Hendery, Jonathon Allen and Noel Burgess |
Years: | 2019-11-20 - 2021-06-30 |
ID: | P00026194 |
Supervision
Current Supervision
Thesis Title: | The Quest for Ludonarrative |
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Field of Research: | |
Thesis Title: | States of Suspension: Exploring Suspended Experience of Sound and Light in Popular Music and Imagery |
Field of Research: | Performing Arts; Visual Arts And Crafts, N.e.c.; Music |
Thesis Title: | Virtual Reality Technology Complementing Religious Translation: Developing Virtual Reality Hajj and Umrah English Resources |
Field of Research: |
Previous Supervision
Thesis Title: | The Aural and Visual Language of Poetic Documentaries |
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Field of Research: | |
Thesis Title: | Virtual reality training for Hajj pilgrims as an innovative community translation dissemination medium |
Field of Research: | |
Thesis Title: | States of Suspension: Exploring Suspended Experience of Sound and Light in Popular Music and Imagery |
Field of Research: | Performing Arts; Visual Arts And Crafts, N.e.c.; Music |
Thesis Title: | The Quest for Ludonarrative: Designing a Ludonarrative Analytical Framework for analysis and design of ludonarrative games through analysed case studies; Hollow Knight, Celeste, and Brothers: A Tale of Two Sons |
Field of Research: |
Media
Title: | A Drone Opera |
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Description: | Contemporary Opera - preview |
Title: | A Drone Opera |
Description: | Contemporary Opera - review |
Title: | A Drone Opera |
Description: | RealTime Review |
Title: | A Drone Opera |
Description: | Interview, ABC Radio National |
Title: | Reverie |
Description: | Single channel video created at SCANZ artist residency |